Saturday, February 15, 2014

Chapter Fourteen: Luna Speisshofer's Point of View



                The cold metal presses against my temple as my captor rips the wretched bag from my head.  My friends sit on the couch, well, some of them anyway, and they stare at me wide eyed.  My wrists ache from the ropes tying them together.
                “Please,” I say, my voice hoarse.
                Lois looks appalled.  She must’ve read my captor’s thoughts.  “May we gather a few things?”
                “No,” the man barks.  “I have food. “
                “We’ll come,” Lois says gravely. 
                “Thank you,” I tell her.
                The cold metal of the pistol presses harder into my skull.  “Shut up.”
                I close my eyes.
                I feel the bag being shoved over my face again.  The man pulls on the back of my shirt.  I stand up and he walks us a short distance, and then, after removing the hated bag, shoves us into a van whose back windows are blacked out and whose front seat is separated from the back compartment by a thick sheet of metal.  There’s a row of benches on either wall.  Katie and Lois sit on the same side as me and Scarlett, Mallory, a confused Mary, and the brown-haired girl sit on the other side.  I wonder where Aly is.
                Lois asks me what happened, even though I can tell she’s heard my thoughts already. 
                “When the bombs went off, this goon and his men came and captured me,” I say, nodding toward the front when I mention the man.  “They took me to some prison sort of place.  I imagine that’s where he’s taking all of us.”
                “Is your family okay?” Katie asks.
                I nod.  “Not sure why they weren’t brought along, though.  Where’s Colette?  And Aly and Violet?  And who’s the brown-headed girl?”
                The girl looks angry.  “My name’s Grace, thank you very much.  And Clarisse went with Vivian to find someone named Nora Michelle.”
                I raise my eyebrows at Scarlett.
                “She means Colette and Violet.  And the person’s named Nadia May.  And Aly…we couldn’t find her.  But we think she’s alive because Jared’s cabin is still standing and that’s where we assume she was when the bombs came down.”
                “That’s good,” I say.  “What’s wrong with Mary?”
                Mallory looks at me.  I see that her eyes are rimmed with red.  “Malcolm.  He didn’t make it into the cell—.”  She starts crying.
                “Oh,” is all I say.
                We drift into silence.


The van stops a while later, coming to a screeching halt and snapping me awake.  I’m a bit angry because it’s the first time I’ve gotten real sleep since before the bombs dropped.  Mallory has stopped crying, but she’s still breathing shakily as we get off the van. 
                The man barks commands to us and ties our wrists before shoving burlap sacks over our heads.  It crosses my mind that we could escape if we really wanted to.  I want to say something about it to Lois, but the man makes sure we walk in a straight line and before that he rearranges us so I have no idea of my position and therefore who’s in front or behind me.  At some point, more men join us.   From what I hear, there’re six new ones, so that each of us has a guard.  Or, rather, a jailer.
                After walking for about a half hour, we come to a stop.  We’re pushed inside a building, I think, and forced to sit down.   Our bags are removed to show that I was right.  We’re in a room about ten feet across.  The wall and floor is cold against my back and legs.
                The man who drove us here steps toward us.  “Who are you?”
                No one answers.
                “I said, who are you?!  he shouts.
                I cringe against the wall.
                Grace, however, is leaning toward and glaring up at him.  “Why do you need to know?”  She says this in a growling tone that makes me want to hide in a hole.
                He slaps her.  “Tell us.”
                Grace brushes her bloody mouth against her shoulder, smearing the blood.  “I’m Grace Abbott.”
                “Who are your friends?”  the man asks.
                “Scarlett Jones, Mallory and Mary Cane, Kathryn Wilde, Lois Adler, and Luna Speisshofer, but you’re already buddies with Luna there, aren’t you?” Grace snaps.
                “Where did you come from?”
                “Me?  Virginia, United States.”
                “And the others?”
                “They have their own voices.  Why don’t you ask them?”  Grace glares at him.
                “Where did you come from?”  the man asks us.
                “Where you picked us up,” Lois says calmly.
                “Before that,” he barks.
                “Some of us were born there,” Lois informs him.
                “And the ones who weren’t?”  The man’s voice is still hard, but he’s not shouting anymore.  He’s obviously getting what he wants.
                Mallory speaks up.  “I was born in London.”
                The man nods.
                “Australia,” Katie mutters.
                The man nods and crosses his arms.  He looks to one of his comrades.  “Take them to the cellar.”
                The bags are pulled over our heads once again and we’re taken down some stairs into what’s not a room so much as a hole.  There’s just enough room for us to scrunch shoulder to shoulder together against the back wall.  There’s a torch mounted on the wall that provides a dim, eerie light. It’s cold, and I’m grateful that we have to scrunch together, even though we can’t sit with our legs in any position but stretched out or scrunched to our chests.
                “So,” says Grace. 
                “So,” says Lois.  “Why didn’t you warn us?” 
                “I can’t see things unless I want to or am searching for them.  I didn’t see this because I didn’t want to,” Grace says simply.  I can tell that she would shrug if there was enough room.
                “Well, it’d be nice to search for these kind of events from now on.  Think you could do that?”  Lois says the last question in a sweet, fake-nice voice that one would use when addressing a young child.
                “On one condition.  Stop talking to me in that voice, okay?”  Grace does the same thing Lois did when she says ‘okay.’
                Lois rolls her eyes with a sigh.  “Okay.”
                “Hey…!” Scarlett scoots forward and points to the corner with the least light.  “Food!”

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